In the Classical Review I quoted, for Petronius 77. 6 ‘assem habeas assem valeas,’ a proverb unnoticed as far as I know by other scholars—‘quantum habebis tantus eris; frange lunam et fac fortunam’—and suggested that we should invert and correct—‘frange lunam [et] fac fortunam; quantum habebis tanti eris’—thus getting an accentual trochaic tetra-meter, with rhyme in the first half , which could be added to the popular trochaics collected in Baehrens' Poet. Lat. Fragmenta.

Beardsley's exposition of his large subject shows lucidity, objectivity, deftness, and a good sense of proportion; and these virtues become more apparent the closer his history approaches the complex diversity of contemporary aesthetic speculation. Especially skillful are the succinct accounts of those aspects of each philosopher's thought which, though not directly concerned with aesthetics, are necessary for a full understanding of his aesthetic theories. Beardsley himself remains neutral, arguing neither for nor against the theories he analyzes. Some may feel that (...) the visual arts are slighted, but this is a minor criticism of a very informative and illuminating book.—W. B. K. (shrink)

This historical study of the responses that man has tried to give to the problem of death-"If I must some day die, what can I do to satisfy my desire to live?" as defined by Fr. Dunne—is occasionally turgid but more often provocative and enlightening. From the dawn of history in Mesopotamia to the present, the book investigates the political and literary consequences of different answers to this question and of different attitudes toward death in general. Although the book's organization (...) is chronological, it is explicitly oriented to contemporary concerns, with Nietzsche's statement that "God is dead" serving as a unifying leit-motif. The most rewarding sections are the discussions of Homer's epics and the analysis of the confusions between the right to life and the right over life that are traced from Calvin, Luther, Hobbes, and Rousseau to modern totalitarianism.—W. B. K. (shrink)

Margolis's main concern is to clarify aesthetic terminology, and especially to distinguish between normative and descriptive uses of such terms as "taste" and "aesthetic." His own definition of a work of art, however, "an artifact considered with respect to its design," hardly improves on the definitions he criticizes. Some of the problems he discusses can be seen as versions of the One and the Many: e.g., the relation between a symphony and its different performances or between a poem and the (...) different interpretations it gives rise to. Among the more interesting chapters are those on figurative language and on "truth and reference in fiction."—W. B. K. (shrink)

Principled discussions of civil rights became inherently less likely as a direct result of the observation by Earl Warren, in Brown v. Board of Education, that, respecting freedmen, “Education of Negroes was almost non-existent, and practically all of the race were illiterate,” and in proportion as that observation increasingly became the foundation of common opinion on the subject. Warren's observation was not true in any meaningful or non-trivial sense. Nevertheless, it served to perpetuate the myth of a backward people needing (...) help to catch up instead of the truth of a people being held back. That is the perspective – the disadvantaged group perspective – that ultimately infected all discussion of civil rights, even after the designation of so-called “disadvantaged groups” had been extended beyond American blacks. To define civil rights, we may well begin with what all mankind would likely recognize. Thus the dictionary definition of “civil rights” stands: “the rights that belong to all individuals in a nation or community touching property, marriage, and the like.” In that definition the term “rights” may be further expanded to mean “legitimate claims,” following the definition of right as law – as “a claim or title or interest in anything whatever that is enforceable by law.” This definition applies with minimal distinction of regimes intruding and, therefore, without the host of recent complications in the United States that create the impression that civil rights have something to do with pluralism. Previously, the generic definition was thought to exhaust the meaning of the term in the United States. (shrink)

It would be natural to expect, after all these years, that the language of an author so important as Livy would be adequately represented in the dictionaries. Unfortunately this is very far from being the case. It is disquieting to find numerous Livian words cited without any mention of Livy or of any other writer of the Ciceronian or the Augustan Age. It is equally disquieting to find Livian idioms or constructions attributed only to writers remote from Livy both in (...) time and in genre. To crown all, we find a good many of Livy's notable usages entirely ignored. Perhaps a humble service may be rendered both to Livy and to the history of the Latin language by indicating a few deficiencies, especially in the parts of the alphabet not yet covered by the Thesaurus Linguae Latinae. (shrink)